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I don’t think that things are going pan out as drastically kind of awfully as it feels like they will right now. Every now and then, video of a socially distanced club in Holland or Berlin comes, and it’s better that there’s not such things as clubs anymore than doing that. You can’t get a bunch of people in a building together to celebrate music with a lot of alcohol and the rest of it and expect them to follow social distancing. Lias Saoudi: It’s one of those things that just doesn’t work. What do you think concerts will be like when people are allowed to gather in larger groups? You’re crashing on couches, you’re in vans, you’re in planes, and with the new social distancing requirements, that kind of work is going to be so different. PKM: Concerning COVID-19 and live music: So much of that lifestyle is dependent on being in very close contact. Humanitarian man of letters? That’s more like it.

Ladies and Gentlemen, this then is Lias Saoudi.

Shirtless, his dark hair tousled after a brisk walk across town, he rolled cigarettes and sipped coffee whilst answering questions with a right good grace. Cabin fever set in long ago, and he’s considering going down to Margate to search for a new home base. Plans for a fourth album were temporarily ground to a halt with the advent of the pandemic, and the band were forcibly scattered to the winds with the cessation of travel between countries.Īfter spending the six weeks of lockdown at a close friend’s house, Fat White Family frontman Lias Saoudi is ready for a move. Their unsparing lyrics are often an expose of our best and worst qualities as a species, intermingled so closely that good and bad and right and wrong become hopelessly confused. A Fat White Family concert is a portal a door leading, not out of our present dimension, but more deeply into it than we would prefer to look.

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They’ve taken countless bullets in the never-ending battle for free artistic expression, and produced some of the most lyrically fascinating albums of the past decade, to say nothing of the uncanny power displayed in their live performances. The South London band has been hailed as “Sweary, scary and willfully offensive…” ( The Irish Times) “… a lens through which contemporary life is exposed, investigated, and celebrated…” ( Domino Records) and “…the sonic equivalent of society coming unhinged” ( Rolling Stone). Any hardcore fans of the Fat White Family will be greatly relieved to know that the famously tempestuous band were not locked down together, an occurrence which would surely have resulted in injury, death, or nervous breakdowns.